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— linguistic liberalisation and literary
development in Russia in the 1920s and 1990s |
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Landslide of the Norm :: People :: Tine Roesen
Publications Book 2000. Casualties of Art: Narrators, Stories and Kinds of Addressivity in Dostoevsky’s Early Works (1846-1849), 182 pp, Ph.D. dissertation, University of Copenhagen. Edited book 2006. (with Ingunn Lunde) Landslide of the Norm: Language Culture in Post-Soviet Russia, (Slavica Bergensia 6), Bergen. Articles 1994. (With J. Clasen) Stavrogin og hans dobbeltgængere, Svantevit, 17, vol. 1, pp. 3-20. 1996. Time and Telling in the Stories of Tatjana Tolstaja, Scando-Slavica, 42, pp. 117-134. 1998. Makar Devushkin and the Ordeal of Artistic Manhood, Nordlit, 4, pp. 117-130. 1999. “Kniga ty pisanaja!”: The Unmasking of Unoriginal Words in Dostoevsky’s Gospodin Prokharchin, Scando-Slavica, 45, pp. 19-34. 2000. Words and Visions: Dostoevsky’s Slaboe serdtse, ed. I. Lunde, Dialogue and Rhetoric: Communication Strategies in Russian Text and Theory (Slavica Bergensia 1), Bergen, pp. 24-38. 2000. Poor Folk: Ways of Living and Creating, eds. P.A. Jensen and I. Lunde, Severnyj sbornik: Proceedings of the NorFA Network in Russian Literature 1995-2000 (Stockholm Studies in Russian Literature 34), Stockholm, pp. 63-79. 2003. En russer i Paris: Eugène Sues Les mystères de Paris – og Dostojevskij, KRITIK, 161, pp. 41-45. 2004. Shipwrecked in Siberia: Dostoevsky’s Notes from the Dead House, eds. K. Grelz and S. Witt, Telling Forms: 30 Essays in Honour of Peter Alberg Jensen (Stockholm Studies in Russian Literature 37), Stockholm, pp. 322-336. 2005. Grænseoverskridende. Faktisk og intenderet læser i den socialistiske realisme, Den Blå Port, 65, pp. 23-32. 2005. Materien, myterne og det kollektivt ubevidste: Om Ljudmila Petrusjevskaja, Tatjana Tolstaja og Nina Sadur, STANDart, 1, 2005, pp. 36–37. 2005. De indbildt dannede: 1840'ernes Rusland set med tyske øjne, eds. M. Bogh, N. Lübecker, J. Bruhn, P. Madsen, Europas andre: Frygten for de fremmede i europæisk kultur, Copenhagen, pp. 143–152. 2005. Når fundamentet slår revner: Gladkovs Cement
og den socialistiske realisme, eds. O. Nyegaard, L. Brix, T.
Søndergaard, Sjælens Ingeniører: 2006. (with Ingunn Lunde) Introduction, Landslide of the Norm: Language Culture in Post-Soviet Russia, (Slavica Bergensia 6) eds. I. Lunde & T. Roesen, Bergen, pp. 7–17. 2006. Discretion: The Unpretentious Text in Contemporary Russian Literature, in Landslide of the Norm: Language Culture in Post-Soviet Russia, (Slavica Bergensia 6) eds. I. Lunde & T. Roesen, Bergen, pp. 80–99. 2006. “Sker der egentlig noget spændende i den russiske litteratur for tiden?” Modtagelsen af russisk samtidslitteratur i Danmark, Nordahl & eftf. 1& 2 (temanr om russisk samtidslitteratur), ed. Martin Paulsen, pp. 18-45. 2007. Dostoevsky's Genres: Towards a Differentiation, eds. Kris Van Heuckelom and David Danaher, Perspectives on Slavic Literatures (Pegasus Oost-Europese Studies 6), Amsterdam, pp. 141-160. 2007. At være mand i Dostojevskijs værker, ed. Ingunn Lunde, jostein 70: post festum skrift, pp. 47-50. 2007. Tilbage til fremtiden: Ny russisk roman med voldsom regimekritik, BogMagasinet 4, October 2007, p. 39. 2007. K narrativnoi strukture romana Vl. Makanina Andegraund ili Geroi nashego vremeni (tipy, funktsii i khudozhestvennyi effekt skobok), ed. Natalia Fateeva, Lingvistika i poetika v nachale tret'ego tysiacheletiia, Moscow: Russian Academy of Sciences, pp. 390-396. 2008. Det nye Ruslands litteratur, eds. Jesper Overgaard Nielsen & Charlotte Greve, Rusland efter Sovjet. Nye rammer — nye skel (Den Jyske Historiker 117-118), Århus, pp. 103-119. 2008. ”Efter Solzjenitsyn: Det nye Ruslands litteratur” [kronik], Information, 31.1.2008. Forthcoming 2008. Bogomtale af Mette Dalsgaard: En optimistisk tragedie: Sovjetruslands litteratur 1917-1985, Nordisk Østforum 2008. Om ansvar og alibier: Den posttotalitære russiske litteratur, eds. Ingunn Lunde & Susanna Witt, Terminal Øst: Totalitære og posttotalitære diskurser, Oslo: Spartacus. Translations 2003. Mikhail Epstein: Début de siècle: Et nyt århundredes manifest, KRITIK, 161, pp. 11-22. 2003. Mikhail Ryklin: Tjetjenienbilleder, Lettre Internationale (Denmark), 1, pp. 40-43. 2004. Svetlana Aleksijevitj: Den evige jagts prægtige hjort (fra Kærlighedens bog), Lettre Internationale (Denmark), 3, pp. 29-33. 2004. Mikhail Ryklin: Oligarker græder også?, Lettre Internationale (Denmark), 5, pp. 74-75. 2005. Henrik Eberle and Matthias Uhl (red.), Stalins Hitler-dossier. Sag 462a fra NKVD’s hemmelige arkiver om Hitler og hans inderkreds. Udarbejdet 1948-49 til Josef Stalin fra forhørsprotokollerne af Hitlers nærmeste medarbejdere, København: Aschehoug, 500ss. Fjodor Dostojevskij: Julefest og bryllup (Elka i svad´ba, 1848) Misc 2005. ”Negativisme, oplysning og tro”, Søborgmagle sogn og kirke, juni-juli 2005, ss. 8-9. |
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Tine Roesen
(b. 1967) wrote her doctoral thesis on Dostoevsky’s early
works (Casualties of Art: Narrators, Stories, and Kinds of
Addressivity in Dostoevsky’s Early Works (1846-1849),
University of Copenhagen, 2001). A grant from The Carlsberg Foundation
allowed her to continue her research during the period 2002-2005,
now focusing on the poetics of genre in the whole of Dostoevsky’s
oevre. Alongside the results of this research she has also published
articles on Tatyana Tolstaya, new Russian literature, socialist
realism, and European russofobia. As a postdoctoral fellow of
the Landslide project, she will study two phenomena in contemporary
Russian literature. First, the marked absence of literary and
linguistic pretentions in singular works by a number of different
authors (“the unpretentious text”). And second, a
multi-faceted thematisation of the Russian Cyrillic alphabet,
which in various literary works is presented as instrumental in
the search for a post-Soviet truth, meaning, or national/cultural
identity. 
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